Blog Post Marxist Framework:
Through
the Marxist framework of examination we desire to discover narratives which: 1.
Perpetuate class inequality 2. Promote normativity (Status Quo) and 3. Create a
sense of complacency in the audience. While we recognize that many of the
direct and immediate harms shown through these systems appear in the first two
questions I feel that the prevalence of normativity as a demand for complacency
can actually be far more damaging to our sense of urgency in regards to change.
In context the question I want to ask regards the manner in which content and
form manufacture consent for the perpetuation of capitalism, specifically in
context of the grand narrative deemed ‘Stability.’
This
grand narrative is actually perpetuated through its counterfactual. Throughout
the past two decades the genre of doomsday films has taken off. These films
display a world which usually possesses the vestige of civilization necessary
to show what once was while maintaining a decay that proves civilization’s
fall. In Day After Tomorrow (2004) we
see the Statue of Liberty fallen, and direct reference to a nation’s collapse. I am Legend (2007) shows a world of
human dismay too powerful even for the purest of living beings. The Avengers (2012) shows an estimated
$160 Billion of infrastructure damage to Manhattan necessary to solve for the
greed of tyrants. Every single one of these films displays a direct destruction
of the subject’s safety, a destruction causally linked to the collapse of
superstructures around it.
This
lack of safety is not just linked in a physical sense to the collapse of
necessary infrastructure for life but is also connected to the identity we feel
in connection with the artifacts of a capitalist system. In immediate riots
subjects do damage to the infrastructure directly around them. They realize
that the destruction of their neighbor’s car in no way impacts the
superstructure they critique but they still feel as though the limited access
to these symbols of success are nothing more than acquiesces given to placate
the suffering majority. In the same way the places like Manhattan, the
artifacts like the Statue of Liberty and even the innocence of a domesticated
friend all fall prey to the destruction of a society, not even relationship can
withstand instability.
What
is at issue then? My contention is that narratives like societal destruction
actually encourage complacency within a system because they never suggest that
instability is good. It can only be dangerous, a threat to our very goodness.
We ignore the fact that change can only occur, for better or worse, when we are
willing to step away from the security of a system with known values, set by
the price we will pay.
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